How interesting. I only just saw CRASH for the first time on DVD two days ago.
I kew nothing about what I was going to watch. I immediately sensed that the tone of this film would be different from any other I'd seen.
I found this to be a very morally responsible film. What I appreciated was, after all the violence, the characters at least
learned something and changed for the better. I do not find this in so many films, especially ones where violence predominates.
It has been been said that the best cinema plays like a communal dream, a dream shared by the collective unconsciousness of the audience. This was very true here. The whole thing played like a dream, I thought.
Did anyone once see that 1993 Robert Altman film,
SHORT CUTS, based upon the short stories of Raymond Carver? It also featured a multifarious Los Angeles cast whose fates interwine in fascinating and sometimes violent ways... SHORT CUTS was brilliant, but ultimately its tone was decidedly down beat... It might be said that CRASH was like a more optimistic version of SHORT CUTS... (In retrospect, however, virtually
any film's tone would be more optimistic than that of SHORT CUTS, whose basic message seemed to be, "Life's a bitch... and then you die.")